'One of the most gifted violinists in Britain' Musical Opinion
'Delivered with verve, affection and a sense of shared enjoyment' Gramophone
'Her playing is incredibly beautiful' The Observer
'Not calculated in any sense, her performance style and technique are so assured that the music flows as a natural consequence of innermost understanding' Musical Opinion
'...full range of violinistic prowess. Rogers mapped out a persuasive account, with genuine emotional intensity' The Strad
'This sold out concert hall was in awe, ecstatic with joy at the final cadence' Musical Opinion
'Ruth Rogers pulled off the astonishing achievement of playing this music as though it had never been played before – as if she was making it up as she went along. Now that, if I may say so, is truly great musicianship' Stratford Herald
'Rogers’ talent, passion and vivaciousness is second to none as she masterfully performed Vivaldi’s Four Seasons to a mesmerised audience' Covent Garden Guide​
'Chamber music recitals just don’t get much better than this. From the moment Ruth Rogers walked on stage, it was clear that here was an artist who simply exuded great warmth and personality. The playing, of course, was quite superb' Plymouth Herald
PRESS
'Ruth Rogers’ account of Bruch’s Violin Concerto No 1 was full of youthful freshness, a rare combination of passion, hushed intensity and fine spontaneity. The slow movement sounded ravishing with its poetic flair, simplicity of phrasing and purity of sound, while the finale, with its double-stopping, was impulsive in its bravura and full of life' Petersfield Local Press
'Essential is the presence of a solo violin as nimble and creamy as that wielded by Ruth Rogers, BBC Radio 2 Young Musician finalist, and these days, forging ahead. The lean, athletic path she pursued, the tone neither too haggard, nor too luscious, was perfectly in style' The Oxford Times
'...violinist Ruth Rogers proved a delight to listen to' The Irish Times
'The solo sequences by the violinist Ruth Rogers, a dynamic, sparkling performer; these proved profoundly satisfying' Al-Ahram Newspaper, Egypt
'A violinist of firm commitment, whose sense of drama and musicality was implicit in all that she was about to convey to her Wigmore Hall audience. Ruth Rogers’ conviction to the music allowed me a rare moment in reviewing to simply sit back and enjoy the performance' Musical Opinion
'Rogers’ controlled bowing allowed the work the feel of a concerto; fiery and robust, the sound was thrilling and excited passion throughout' Musical Opinion
'Real electricity in Szymanowski’s Notturno e Tarantella – the brilliant and dashing Tarantella in particular drew sparks as the virtuoso material was delivered with panache' The Strad
'The rest of the programme investigated the lure of the Orient in music by Rimsky-Korsakov and Prokofiev. Rimsky’s Sheherazade received an exuberant performance, with some superb solos from leader Ruth Rogers' The Guardian